‘The Defenders’ gets the gang together and it pays off

Marvel’s street-level team-up has fun capturing the cool dynamic these characters have with each other, while setting the stage for where they go next

(Marvel/Netflix)

First announced in late 2013, with four individual series of lead-up over the course of the past two years, Marvel’s The Defenders has officially arrived. Each of these characters — Daredevil, Jessica Jones, Luke Cage, and Iron Fist — has thrived in their respective series (okay, yes, the Iron Fist not so much), and The Defenders brings these street-level loners together in an organic way after laying out the main focus of the plot across Daredevil season 2 and Iron Fist season 1. The plot has its flaws, and the first two episodes are a bit slow, but the pay-off of seeing these characters collide in a thrilling hallway fight scene (these shows love a good hallway fight scene) is an absolute joy.

The Defenders re-introduces us to its core heroes basically where we last left them — Matt Murdock (Charlie Cox) has hung up the Daredevil costume and is focusing on pro bono legal work, Jessica Jones (Krysten Ritter) hasn’t taken a case in ages and is mostly drinking, Luke Cage (Mike Colter) has been exonerated and returns to Harlem to protect his neighborhood, and Danny Rand (Finn Jones) is off hunting members of the shadowy ninja organization known as the Hand. It doesn’t take long before each of them starts investigating cases, all of which are somehow connected to the Hand, and fall into each other’s orbit.

(Marvel Comics)

The Defenders is at its best when its leads are playing off of one another. Comic book writer Brian Michael Bendis’ influence is truly felt here — not only is he the co-creator of Jessica Jones and her first comic series Alias(2001–2004), but he also wrote an outstanding run on Daredevil(2001–2006) and is largely responsible for re-popularizing Luke Cage through both Alias and his run on Avengers and New Avengers (2004–2012). His work on Alias, with artist Michael Gaydos, and Daredevil, with artist Alex Maleev, were notable for standing out among Marvel’s other titles as gritty crime books that also broke their respective leads down to tell deeply human and personal stories. Bendis was the guy who knew what to do with these characters and was smart enough to use them in each other’s worlds. One scene in particular, in which the four heroes are holed up in a Chinese restaurant arguing about what they’ve gotten themselves mixed up in, really captures the essence of Bendis’s work with these stubborn characters. While these shows aren’t necessarily pulling directly from the source material, Bendis is responsible for building the foundation of the dynamic between these characters, and his work feels most present when Jessica rolls her eyes irritably with a snarky one-liner directed at Matt, or when Matt stubbornly tries to insulate himself from the others, or when Luke needs to step in and serve as the voice of reason.

(Marvel/Netflix)

It’s not just the core four characters who are thrown together, but their respective supporting casts are now in each other’s worlds. Colleen Wing (Jessica Henwick) and Misty Knight (Simone Missick), from Iron Fist and Luke Cage, respectively, play key supporting roles here, much like their comic book counterparts (Daughters of the Dragon fans, it’s all happening!). Rosario Dawson’s role as Claire, who’s served as the Nick Fury of the small screen by appearing in each character’s lead-up series, is finally paid off here when she formally introduces Luke Cage to Danny Rand.

(Marvel Comics)

The Luke/Danny dynamic is pretty important to get right, as they share a long history in the comics paired as best friends, specifically in the pages of Power Man and Iron Fist and Heroes for Hire. Their relationship has an interesting arc as they come from different worlds but come to gain a mutual respect for one another as they find that they can learn from one another. Perhaps more importantly, and played incredibly well in one early meeting, Luke gives a mouthpiece to the majority of criticisms of the Iron Fist series. Those critics will be pleased to know that the Danny Rand character worked a bit better in a group setting with characters like Luke and Jessica around to criticize his naivety and question his approach, but Danny’s arc in The Defenders may have paved the way for him to be a stronger and more self-aware protagonist in Iron Fist season 2.

Sigourney Weaver is introduced as Alexandra, a leading member of the Hand, but unfortunately doesn’t offer anything new or interesting as a primary villain. Although Alexandra and the Hand’s motives felt a bit flat, they served their purpose in providing the narrative threads for the four heroes to pick up and follow, ultimately converging on Midland Circle, a building that suspiciously served as the common denominator of each of their respective mysteries. The newly resurrected Elektra (Elodie Yung) — last seen in Daredevil season 2 — provided a much better foil for the heroes, and specifically helped drive the story in giving Matt a meaningful arc as well as a more personal stake.

Some spoilers follow –

The Defenders leaves off in an interesting way that sets the stage for what could be viewed as Phase 2 of the Netflix series with these characters’ worlds more closely tied together. It’s already been confirmed that Misty Knight will appear in the next seasons of both Luke Cage and Iron Fist (and will sport a look closer to her comic book counterpart), and it’ll likely be pretty common for other supporting players like Foggy Nelson (Elden Henson) to turn up on an episode of Luke Cage or Jessica Jones.

But the real catalyst for where these shows may go is the supposed death of Matt Murdock in The Defenders finale. Having last seen him well below Midland Circle just before watching the building come crashing down, Luke, Jessica, and Danny are left to assume Matt perished with it. However, the last scene doesn’t simply show that Matt somehow survived, but laying in a hospital bed tended to by nuns more specifically teases that season 3 of Daredevil is likely going to delve into Frank Miller’s classic “Born Again” storyline, in which the Kingpin learns Daredevil’s identity and slowly rips his life apart. With any luck, we’ll finally get Bullseye as well.

(Marvel Comics)

Based on filming schedules, it looks like we’ll be seeing second seasons for Jessica Jones and Luke Cage before a third for Daredevil though, and the supposed death or disappearance of Daredevil may echo through those series. Jessica’s arc in The Defenders seemed to focus on her ability to put her trust and faith in others, and maybe she’ll be more willing to call on Luke or Misty for a favor. Alternatively, her supporting cast has a lot of room to grow, namely her best friend Trish Walker (Rachael Taylor). In the comics, Trish Walker is also the crimefighter Hellcat, and in the first season she was actively training in Krav Maga — maybe the void left by Daredevil inspires Trish to take her training to the next level?

(Marvel Comics)

As for Danny Rand, he may have experienced the most growth coming out of The Defenders. Not only did Luke serve as a strong guiding force for how Danny can use his power and advantages, Matt’s parting words to him — “Protect my city” — left him responsible for taking Daredevil’s place. I’m sure the next season of Iron Fist won’t solely focus on Danny patrolling the city as a crimefighter, there’s still a lot of territory to mine related to his mysterious origin in K’un L’un and the legacy of being the Iron Fist. Specifically, Matt Fraction, Ed Brubaker, and David Aja’s run on The Immortal Iron Fist comic from 2006–2009 could offer some good source material. Better yet, maybe we’ll see the next season of Iron Fist somehow introduce another kung fu Marvel hero, Shang-Chi?

(Marvel Comics)

There’s been no confirmation on if or when we can expect a season 2 of The Defenders, but I wouldn’t be surprised if it happens, or if the cast continues to grow with the introduction of other street-level heroes. If nothing else, we can certainly expect these characters to cross paths again, and be all the better for it.

‘Iron Fist’ is not the show it should have been

The latest Marvel Netflix series lacks a lot, including everything that could have made its lead character interesting…and kung fu

(Netflix)

It’s fair to say that for the most part, the Marvel Cinematic Universe has set the bar pretty high for its properties. This is particularly true of the Marvel Netflix series Daredevil, Jessica Jones, and Luke Cage; which is why it’s so disappointing to see the Iron Fist series fall so flat. What’s more frustrating, is that a character like Iron Fist has so much potential and so many possibilities in terms of building a truly unique show around. Unfortunately, Iron Fist fails to deliver on a few key things — style, identity, and (ummm, oh yeah!) awesome kung fu!

First announced in late 2013 as one of four series that would ultimately build towards uniting the four characters for a Defenders miniseries, Iron Fist seemed to be the slowest series to develop (at one point, it was rumored that plans for an Iron Fist series were canceled in favor of a Punisher series, which we’ll now be getting, too), and was of course the last Defender to finally reach the screen before the crossover miniseries premieres next fall. Up until now, all of these series proved to be strong, character-driven shows, each with a distinct style that captured the essence of each character’s comic book source material. Daredevil is a gritty, urban vigilante story that feels more akin to The Wire than Spider-Man. Jessica Jones is a throwback to hard-boiled detective stories that also manages to address PTSD. Luke Cage embraces and plays up the character’s Blaxploitation origins while also making the community of Harlem feel like as much a character on the show in and of itself as any of the leads.

Meanwhile, Iron Fist draws on the least interesting parts of the character, and the result feels like a very long cut of the middle 40 minutes of Batman Begins, when Bruce Wayne returns to Wayne Enterprises, much to the frustration of the shareholders. The series feels shoe-horned into being entirely grounded in New York City to fit in with the other Defenders-related series, and to perhaps serve as a prelude to that crossover, rather than embracing its own potential richness.

(Marvel Comics)

Iron Fist was created by Roy Thomas and Gil Kane in 1974, spinning out of a pop culture trend of martial arts heroes at the time. After losing his parents in an expedition in the Himalayas, Danny Rand was raised in the ancient mystical city of K’un Lun, where he was trained in martial arts, and goes on to defeat a dragon named Shou-Lao to gain the power of the Iron Fist. While he starred in his own comic book for a time, he ultimately had his longest run when teamed up with Luke Cage for Power Man and Iron Fist.

More recently, in the past decade, he’s starred in two excellent solo titles, The Immortal Iron Fist (2006–2009) and Iron Fist: The Living Weapon (2014–2015). The Immortal Iron Fist, written by Ed Brubaker and Matt Fraction and drawn by David Aja (later on Duane Swierczynski took over writing with art by Travel Foreman), dove into the legacy of the Iron Fist, including those who previously held the mantle, while also building extensively on the history of K’un Lun, as well as other “immortal weapons” similar to the Iron Fist. Iron Fist: The Living Weapon, written and drawn by Kaare Andrews, leveraged the events of the previous series while further exploring the history and corruption that existed in K’un Lun. (And actually, for those irritated that Danny wasn’t cast as Asian for the show, Andrews’ series event poked some fun at the fact that “rich white men” had stolen the mantle of the Iron Fist.) I never expected the Netflix series to adapt these specific stories, but I definitely hoped the series would capture the spirit.

(Marvel Comics, Artist: David Aja)
(Marvel Comics, Artist: Kaare Andrews)

Both of these comic series had style, identity, direction, and above all, they had a particularly strong focus on the idea of legacy and how important that is to the Iron Fist. They grounded Danny Rand as the heir to his father’s billion-dollar corporation (while making him a bit naïve in terms of how to actually run it), while also exploring what it means to be the Iron Fist. Danny carries two legacies — Rand Enterprises and the Iron Fist — and the show gets pretty preoccupied with one, while doing little more than ask questions about the other. As Iron Fist gets bogged down in boardroom meetings and investigations into corrupt corporate manipulation at Rand Enterprises, the closest the show gets to exploring the idea of legacy as a theme is Danny stating (repeatedly), “I’m Danny Rand,” or stressing the fact that the actions of Rand Enterprises reflect both on him and his father because, as he so aptly puts it, “It’s my name.”

(Netflix)

Meanwhile, the series shows next to nothing of the mystical city of K’un Lun and the 15 years Danny spent training there. What was Danny’s upbringing like? Was Danny the only outsider? What did Danny learn about the legacy of the Iron Fist growing up? More importantly, if he was willing to fight a dragon to become the Iron Fist, why and how does he seem to know so little about what he’s capable of as the Iron Fist? These are questions that are barely asked, and across 13 episodes, I would’ve expected most of them to actually be answered.

Narratively, the show drags its feet as if it was a stretch to fill 13 episodes. With so much history and potential to tap into, it felt wasteful to spend the first quarter of the season on Ward (Tom Pelphrey) and Joy Meachum (Jessica Stroup), Danny’s childhood friends currently in control of Rand Enterprises, doubting Danny is who he says he is (including one completed wasted hour with Danny in a mental health facility that did nothing for the overall story). Furthermore, Ward and Joy’s presumed-but-not-quite-dead father, Harold (David Wenham), while helpful in developing The Hand’s backstory, wasn’t a terribly interesting antagonist to carry the season. And worse, at times it felt like he was doing an imitation of Mr. Burns from The Simpsons.

In terms of the cast, Finn Jones does well enough in the title role, it’s just unfortunate he wasn’t working from better material. Jessica Henwick plays Colleen Wing, a comic book character who’s typically been associated with Iron Fist, Luke Cage, and Misty Knight, and is also due to return in The Defenders series. She stands out, and is not only badass, but helped drive the story forward and overall had a good dynamic with Jones. Returning players from prior Marvel Netflix shows include Carrie-Anne Moss as Jeri Hogarth, Wai Ching Ho as Madame Gao (first introduced in Daredevil season 1, and in a much larger role here), and Rosario Dawson as Claire Temple…which felt like a bit too much Claire Temple. I get that she’s sort of playing the common thread across the Marvel Netflix shows, but it just felt like there was maybe an opportunity here to tease other characters.

(Netflix)

We’re at a point where it’s reasonable for these characters to cross paths, and clearly, that’s happening. That said, I would’ve loved to see Misty Knight (Simone Missick), who first debuted in Luke Cage and has a significant history in the comics with Danny, get thrown into the mix for two to three episodes. In some ways, she would’ve made more sense than Claire. Along those same lines, I know Luke Cage is allegedly back in prison, but a two-episode Power Man/Iron Fist team-up would’ve been fun, and could have even served as an early bridge to The Defenders.

Among other missed opportunities is Danny’s iPod. Danny has an old iPod filled with old school hip-hop, which early on, he’s regularly listening to and seems like it should have and could have been more directly infused into the show as the soundtrack (I hate to compare every inch of Iron Fist to its predecessors, but Luke Cage did a great job of subtly making music a part of the series; and to make a non-Marvel comparison, the less than three-minute trailer for Edgar Wright’s Baby Driver also appears to nail this). You can almost picture a perfectly choreographed kung fu fight with every punch, kick, and flip in rhythm to A Tribe Called Quest…but no, perfect choreography and good kung fu are another area in which Iron Fist falls short. The action scenes do improve over the course of the season, but some of the early episodes…wow, it’s some slowed down Steven Seagal-level action. Nonetheless, well-choreographed action seemed like the one thing they should have gotten right.

Given that Iron Fist was a series that had so much opportunity to explore new territory while able to leverage the foundation established by previous Marvel Netflix shows, it’s disappointing to see it fall so short of what it could have been. For now, all eyes are on The Defenders, but the last minutes of the season finale did hint at a few places a second season might go. I think Marvel recognizes that this was a pretty big misstep, and hopefully, if we do get a second season, it can be everything the first season should’ve been. If not, well, they can always take a page from the comics and put out a Power Man and Iron Fist team-up series.

(Wikipedia.org)